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Cem Yılmaz's stand-up show Bir Tat Bir Doku took place in 1999 and was released in cinemas in 2001. It consists of a total of six shows.

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Two exorcists capture their work on video and upload it to YouTube. They come to the attention of a TV show that wants to boost its ratings. However, the studio crew remain skeptical.

When Benji’s long-term boyfriend, Sam, dies suddenly in a freak hot dog cart accident, Benji finds himself vacillating between grief-stricken catatonia and manic horniness. His fixation on glory holes in particular leads him to Ari, an unconventional therapist, who guides Benji on a psychedelic journey through his own queer consciousness via the glory hole in his mind. Benji navigates shame, fear, piles of hot dogs, and a series of queer supervillains, on the road to understanding himself and his sexuality outside the context of his relationship with Sam.

Pink film by Genji Nakamura.

This Turkish movie introduces a father who tries to discourage his homosexual son and associates homosexuality with paternal issues.

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The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.